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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Body Modification & Painting
Source
A related resource from which the described resource is derived
Among Tender Roots, College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago. With Permission from Laura Anderson Barbata.
Rights
Information about rights held in and over the resource
All rights remain with the author.
Description
An account of the resource
In 1992 artist Laura Anderson Barbata initiated an exchange with the Yanomami tribe in Venezuela. Through this exchange, the Yanomami people taught Barbata their distinctive canoe building technique and in return she taught them hand papermaking.
The Yanomami children traditionally carved printing blocks to serve as body decoration exclusively during ceremonial practices. These prints also served to honor their surroundings, and were often inspired by the shapes of neighboring wildlife such as turtles and birds.
Sarah Hiatt and DW McCraven We incorporated the traditions of Yanomami wood cuts by carving into potatoes to make stamps.
The process is as follows:
Step 1: cut potato in half with butcher’s knife
Step 2: soak extra liquid with towel
Step 3: cut in with peeler and/or x-acto desired design
Step 4: dip stamp into ink and place on paper
Step 5: Let dry for an hour before handling
Subject
The topic of the resource
Woodcuts and Body Decoration
Creator
An entity primarily responsible for making the resource
DW McCraven & Sarah Hiatt
Type
The nature or genre of the resource
Still Image
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Potato Stamps, inspired by Yanomami children woodcuts and block printing
Subject
The topic of the resource
Potato Stamps
Rights
Information about rights held in and over the resource
All rights remain with the author.
Date
A point or period of time associated with an event in the lifecycle of the resource
April 2017
Description
An account of the resource
DW McCraven & Sarah Hiatt, 2017, finished potato stamp images printed on journal paper.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Melissa Hillard Potter
Type
The nature or genre of the resource
Still Image
Creator
An entity primarily responsible for making the resource
Hiatt, Sarah & McCraven, DW
Source
A related resource from which the described resource is derived
Among Tender Roots, College Archives & Special Collections, Columbia College Chicago.
Abstract
body decoration
Chicago
Columbia College Chicago
Potato stamp
The Center for Book Paper and Print
woodcut
Yanomami People
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Rights
Information about rights held in and over the resource
All rights remain with the author.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Rights
Information about rights held in and over the resource
All rights remain with the author.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Rights
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All rights remain with the author.
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Dublin Core
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All rights remain with the author.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Rights
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All rights remain with the author.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Rights
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All rights remain with the author.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Rights
Information about rights held in and over the resource
All rights remain with the author.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Body Modification & Painting
Source
A related resource from which the described resource is derived
Among Tender Roots, College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago. With Permission from Laura Anderson Barbata.
Rights
Information about rights held in and over the resource
All rights remain with the author.
Description
An account of the resource
In 1992 artist Laura Anderson Barbata initiated an exchange with the Yanomami tribe in Venezuela. Through this exchange, the Yanomami people taught Barbata their distinctive canoe building technique and in return she taught them hand papermaking.
The Yanomami children traditionally carved printing blocks to serve as body decoration exclusively during ceremonial practices. These prints also served to honor their surroundings, and were often inspired by the shapes of neighboring wildlife such as turtles and birds.
Sarah Hiatt and DW McCraven We incorporated the traditions of Yanomami wood cuts by carving into potatoes to make stamps.
The process is as follows:
Step 1: cut potato in half with butcher’s knife
Step 2: soak extra liquid with towel
Step 3: cut in with peeler and/or x-acto desired design
Step 4: dip stamp into ink and place on paper
Step 5: Let dry for an hour before handling
Subject
The topic of the resource
Woodcuts and Body Decoration
Creator
An entity primarily responsible for making the resource
DW McCraven & Sarah Hiatt
Type
The nature or genre of the resource
Still Image
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Potato Stamps, inspired by Yanomami children woodcuts and block printing
Description
An account of the resource
We incorporated the traditions of Yanomami wood cuts by carving into potatoes to make stamps. <br /><br /><strong>Potato Stamp Process</strong> <br /><br />Supplies: <br /><ul><li>Potatoes</li>
<li>X-acto knife</li>
<li>Potato peeler</li>
<li>Butcher's knife</li>
<li>Ink</li>
<li>Paper</li>
<li>Paper towels</li>
</ul>
Step 1: cut potato in half horizontally with butcher's knife <br />Step 2: obsorb potato juice and/or residue by placing towel over exposed portion of potato<br />Step 3: cut into potato with peeler and/or x-acto knife to create desired design <br />Step 4: press finished potato stamp onto ink pad, then transfer the ink by pressing the potato stamp down on white paper<br />Step 5: Let dry for an hour before handling
Subject
The topic of the resource
Potato Stamps
Rights
Information about rights held in and over the resource
All rights remain with the author.
Creator
An entity primarily responsible for making the resource
Hiatt, Sarah & McCraven, DW
Date
A point or period of time associated with an event in the lifecycle of the resource
April 2017
Source
A related resource from which the described resource is derived
Among Tender Roots, College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Melissa Hillard Potter
Abstract
body decoration
Chicago
Columbia College Chicago
Potato stamp
The Center for Book Paper and Print
woodcut
Yanomami People
-
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0181b9bb33afa7dd6697bfeffc5c019f
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a title="Shapono - Circle of Stories: Works of Sheroanawë Hakihiiwë" href="https://youtu.be/1ch76pY9mG4" target="_blank" rel="noreferrer">https://youtu.be/1ch76pY9mG4</a>
Dublin Core
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Title
A name given to the resource
Shapono, Circle of Stories: Works of Sheroanawë Hakihiiwë Documentary
Subject
The topic of the resource
Hakihiiwë, Sheroanawë
Columbia College Chicago
Yanomami Artist
Description
An account of the resource
<iframe width="640" height="360" src="https://www.youtube.com/embed/1ch76pY9mG4?rel=0" frameborder="0"></iframe><br /><br />In 2010, Venezuelan artist Sheroanawë Hakihiiwë became the first of the Yanomami community to visit Chicago and conduct a hand papermaking collaboration with MFA in Book & Paper candidates at Columbia College Chicago.
Creator
An entity primarily responsible for making the resource
Worfel, Phil
Barbata Anderson, Laura
Source
A related resource from which the described resource is derived
College Archives & Special Collections, Columbia College Chicago
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago.
Rights
Information about rights held in and over the resource
All rights remain with the author.
Relation
A related resource
<a title="Shapono - Circle of Stories: Works of Sheroanawë Hakihiiwë" href="https://youtu.be/1ch76pY9mG4" target="_blank" rel="noreferrer">https://youtu.be/1ch76pY9mG4</a>
Type
The nature or genre of the resource
Moving Image
Chicago
Columbia College Chicago
Handmade Papermaking
Papermaking
Shapono - Circle of Stories: Works of Sheroanawë Hakihiiwë
Sheroanawë Hakihiiwë
The Center for Book Paper and Print
Video
Yanomami People
-
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0b6a27f27df5372019745c4c069007f1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Shapono</em>
Subject
The topic of the resource
The first book made by Yanomami community.
Description
An account of the resource
<em>Shapono</em>, meaning “communal house,” is a book made by the Yanomami Owë Mamotima community of Mahekoto-Platanal, Amazonas, Venezuela. It is the culture’s first written record and was made collaboratively by elders, youth, and scholars in a limited edition of fifty. It documents a Yanomami creation myth, traditionally told orally, about how the first communal house came to be. The book was started in 1996 and was completed in 2003.<br /><br />Illustrations within the book came from relief prints made by children of the community. The use of relief printing in this way was somewhat unusual, as carved block printing had long been part of Yanomami culture but had previously only been used for ceremonial and decorative body stamping before 1996. The book’s paper was handmade by the community using fibers from the region’s forests. This merge of hand papermaking with relief printing combined two technologies that were previously thought disparate by the community; essentially producing a new artform. <br /><br />The creation of <em>Shapono</em> was made possible in part by socially-engaged artist, Laura Anderson Barbata, who initiated the paper and bookmaking project with the Yanomami in 1992. Her engagement with the community has brought resources and recognition to the community. In 2000 <em>Shapono</em> received the Best Book of the Year award from the Centro Nacional del Libro of Venezuela. In 2002 the project received the Charles A and Anne Morrow Lindbergh Foundation grant which enabled the project to establish a studio and purchase a Hollander beater for papermaking. It also helped to inspire Caracas-based Instituto de Estudios Avanzados (IDEA), led by Professor Alvaro Gonzalez Bastidas, to collaborate with the community to construct the Shapono School in Alto Orinoco. The mission of the Shapono School is to preserve and promote parts of Yanomami culture related to craft tradition, as well as Yanomami knowledge related to plants and medicine. The school will include a papermaker's garden along with workshops in paper, print, and bookmaking.<br /><br /><em>Among Tender Roots</em>, curated by Melissa Hilliard Potter, was the first retrospective of Laura Anderson Barbata’s work, and it featured <em>Shapono</em> in the United States for the first time. <em>Shapono</em> is included in various collections, among them Centro de Estudios IDEA, Caracas; The Cotsen Library Collection of Princeton University; the Gimbel Library at Parsons School of Design, New York; the Latin American Book Collection, The Library of Congress, Washington D.C.; and the Spencer Collection at the New York Public Library among others.<br /><br /><br /><p>Bibliography:</p>
<p><em>Among Tender Roots</em>. Laura Anderson Barbata, Melissa Potter, Patrick Dowdey, Kathi Beste. Columbia College Chicago Center for Book & Paper Arts. 2010. Print.</p>
<p><em>Social Paper</em>: <em>Hand Papermaking in the Context of Socially Engaged Art</em>. Jessica Cochran, Melissa Potter. Columbia College Chicago Center for Book & Paper Arts. 2015. Print. </p>
Creator
An entity primarily responsible for making the resource
Goettling, Willa
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em>, College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago, with permission of Laura Anderson Barbata.
Date
A point or period of time associated with an event in the lifecycle of the resource
1996 - 2003
Rights
Information about rights held in and over the resource
All rights remain with the author.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paper and Bookmaking Workshop
Subject
The topic of the resource
Sheroanawë Hakihiiwë
Description
An account of the resource
Sheroanawë Hakihiiwë and members of the Yanomami Owë Mamotima paper and bookmaking project in front of the workshop. Mahekoto-Platanal, Amazonas, Venezuela, 2005.
Creator
An entity primarily responsible for making the resource
Elam, Lynn & Goettling, Willa
Rights
Information about rights held in and over the resource
All rights remain with the author.
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em> College Archives & Special Collections Columbia College Chicago
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Laura Anderson Barbata
Date
A point or period of time associated with an event in the lifecycle of the resource
2005
-
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50f3c0023ec13b327bc524d37edac81d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Shapono</em>
Subject
The topic of the resource
The first book made by Yanomami community.
Description
An account of the resource
<em>Shapono</em>, meaning “communal house,” is a book made by the Yanomami Owë Mamotima community of Mahekoto-Platanal, Amazonas, Venezuela. It is the culture’s first written record and was made collaboratively by elders, youth, and scholars in a limited edition of fifty. It documents a Yanomami creation myth, traditionally told orally, about how the first communal house came to be. The book was started in 1996 and was completed in 2003.<br /><br />Illustrations within the book came from relief prints made by children of the community. The use of relief printing in this way was somewhat unusual, as carved block printing had long been part of Yanomami culture but had previously only been used for ceremonial and decorative body stamping before 1996. The book’s paper was handmade by the community using fibers from the region’s forests. This merge of hand papermaking with relief printing combined two technologies that were previously thought disparate by the community; essentially producing a new artform. <br /><br />The creation of <em>Shapono</em> was made possible in part by socially-engaged artist, Laura Anderson Barbata, who initiated the paper and bookmaking project with the Yanomami in 1992. Her engagement with the community has brought resources and recognition to the community. In 2000 <em>Shapono</em> received the Best Book of the Year award from the Centro Nacional del Libro of Venezuela. In 2002 the project received the Charles A and Anne Morrow Lindbergh Foundation grant which enabled the project to establish a studio and purchase a Hollander beater for papermaking. It also helped to inspire Caracas-based Instituto de Estudios Avanzados (IDEA), led by Professor Alvaro Gonzalez Bastidas, to collaborate with the community to construct the Shapono School in Alto Orinoco. The mission of the Shapono School is to preserve and promote parts of Yanomami culture related to craft tradition, as well as Yanomami knowledge related to plants and medicine. The school will include a papermaker's garden along with workshops in paper, print, and bookmaking.<br /><br /><em>Among Tender Roots</em>, curated by Melissa Hilliard Potter, was the first retrospective of Laura Anderson Barbata’s work, and it featured <em>Shapono</em> in the United States for the first time. <em>Shapono</em> is included in various collections, among them Centro de Estudios IDEA, Caracas; The Cotsen Library Collection of Princeton University; the Gimbel Library at Parsons School of Design, New York; the Latin American Book Collection, The Library of Congress, Washington D.C.; and the Spencer Collection at the New York Public Library among others.<br /><br /><br /><p>Bibliography:</p>
<p><em>Among Tender Roots</em>. Laura Anderson Barbata, Melissa Potter, Patrick Dowdey, Kathi Beste. Columbia College Chicago Center for Book & Paper Arts. 2010. Print.</p>
<p><em>Social Paper</em>: <em>Hand Papermaking in the Context of Socially Engaged Art</em>. Jessica Cochran, Melissa Potter. Columbia College Chicago Center for Book & Paper Arts. 2015. Print. </p>
Creator
An entity primarily responsible for making the resource
Goettling, Willa
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em>, College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago, with permission of Laura Anderson Barbata.
Date
A point or period of time associated with an event in the lifecycle of the resource
1996 - 2003
Rights
Information about rights held in and over the resource
All rights remain with the author.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Shapono </em>Block Print Demonstration<em><br /></em>
Subject
The topic of the resource
<span>Sheroanawë Hakihiiwë</span>
Description
An account of the resource
Javier demonstrating and teaching block printing to his Yanomami Owë Mamotima classmates, Shakita, Amazonas, Venezuela, 1996. Photograph that appeared in <em>Among Tender Roots</em> catalog.
Creator
An entity primarily responsible for making the resource
Elam, Lynn & Goettling, Willa
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em> College Archives & Special Collections Columbia College Chicago
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Laura Anderson Barbata
Date
A point or period of time associated with an event in the lifecycle of the resource
1996
Rights
Information about rights held in and over the resource
All rights remain with the author.
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Shapono</em>
Subject
The topic of the resource
The first book made by Yanomami community.
Description
An account of the resource
<em>Shapono</em>, meaning “communal house,” is a book made by the Yanomami Owë Mamotima community of Mahekoto-Platanal, Amazonas, Venezuela. It is the culture’s first written record and was made collaboratively by elders, youth, and scholars in a limited edition of fifty. It documents a Yanomami creation myth, traditionally told orally, about how the first communal house came to be. The book was started in 1996 and was completed in 2003.<br /><br />Illustrations within the book came from relief prints made by children of the community. The use of relief printing in this way was somewhat unusual, as carved block printing had long been part of Yanomami culture but had previously only been used for ceremonial and decorative body stamping before 1996. The book’s paper was handmade by the community using fibers from the region’s forests. This merge of hand papermaking with relief printing combined two technologies that were previously thought disparate by the community; essentially producing a new artform. <br /><br />The creation of <em>Shapono</em> was made possible in part by socially-engaged artist, Laura Anderson Barbata, who initiated the paper and bookmaking project with the Yanomami in 1992. Her engagement with the community has brought resources and recognition to the community. In 2000 <em>Shapono</em> received the Best Book of the Year award from the Centro Nacional del Libro of Venezuela. In 2002 the project received the Charles A and Anne Morrow Lindbergh Foundation grant which enabled the project to establish a studio and purchase a Hollander beater for papermaking. It also helped to inspire Caracas-based Instituto de Estudios Avanzados (IDEA), led by Professor Alvaro Gonzalez Bastidas, to collaborate with the community to construct the Shapono School in Alto Orinoco. The mission of the Shapono School is to preserve and promote parts of Yanomami culture related to craft tradition, as well as Yanomami knowledge related to plants and medicine. The school will include a papermaker's garden along with workshops in paper, print, and bookmaking.<br /><br /><em>Among Tender Roots</em>, curated by Melissa Hilliard Potter, was the first retrospective of Laura Anderson Barbata’s work, and it featured <em>Shapono</em> in the United States for the first time. <em>Shapono</em> is included in various collections, among them Centro de Estudios IDEA, Caracas; The Cotsen Library Collection of Princeton University; the Gimbel Library at Parsons School of Design, New York; the Latin American Book Collection, The Library of Congress, Washington D.C.; and the Spencer Collection at the New York Public Library among others.<br /><br /><br /><p>Bibliography:</p>
<p><em>Among Tender Roots</em>. Laura Anderson Barbata, Melissa Potter, Patrick Dowdey, Kathi Beste. Columbia College Chicago Center for Book & Paper Arts. 2010. Print.</p>
<p><em>Social Paper</em>: <em>Hand Papermaking in the Context of Socially Engaged Art</em>. Jessica Cochran, Melissa Potter. Columbia College Chicago Center for Book & Paper Arts. 2015. Print. </p>
Creator
An entity primarily responsible for making the resource
Goettling, Willa
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em>, College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago, with permission of Laura Anderson Barbata.
Date
A point or period of time associated with an event in the lifecycle of the resource
1996 - 2003
Rights
Information about rights held in and over the resource
All rights remain with the author.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Porfirio and the Hollander Beater
Subject
The topic of the resource
Sheroanawë Hakihiiwë
Description
An account of the resource
Image that appeared in <em>Among Tender Roots</em> catalog: Porfirio next to the refurbished Hollander beater, Mahekoto-Platanal, Amazonas, Venezuela,
Creator
An entity primarily responsible for making the resource
Elam, Lynn & Goettling, Willa
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em> College Archives & Special Collections Columbia College Chicago
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Laura Anderson Barbata
Date
A point or period of time associated with an event in the lifecycle of the resource
2003
Rights
Information about rights held in and over the resource
All rights remain with the author
Format
The file format, physical medium, or dimensions of the resource
Still Image
-
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907d184230cff1458d0319925702579f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yanomami Children Block Printing
Subject
The topic of the resource
Shero
Description
An account of the resource
Javier demonstrating and teaching block printing to his Yanomamł Owë Mamotima classmates, Shakita, Amazonas, Venezuela, 1996. Photograph by Laura Anderson Barbata.
Creator
An entity primarily responsible for making the resource
Laura Anderson Barbata
Source
A related resource from which the described resource is derived
College Archives & Special Collections Columbia College Chicago
Publisher
An entity responsible for making the resource available
Center for Book Paper & Print Columbia College Chicago
Date
A point or period of time associated with an event in the lifecycle of the resource
1996
Rights
Information about rights held in and over the resource
All rights remain with the author
Type
The nature or genre of the resource
Still image
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Shapono</em>
Subject
The topic of the resource
The first book made by Yanomami community.
Description
An account of the resource
<em>Shapono</em>, meaning “communal house,” is a book made by the Yanomami Owë Mamotima community of Mahekoto-Platanal, Amazonas, Venezuela. It is the culture’s first written record and was made collaboratively by elders, youth, and scholars in a limited edition of fifty. It documents a Yanomami creation myth, traditionally told orally, about how the first communal house came to be. The book was started in 1996 and was completed in 2003.<br /><br />Illustrations within the book came from relief prints made by children of the community. The use of relief printing in this way was somewhat unusual, as carved block printing had long been part of Yanomami culture but had previously only been used for ceremonial and decorative body stamping before 1996. The book’s paper was handmade by the community using fibers from the region’s forests. This merge of hand papermaking with relief printing combined two technologies that were previously thought disparate by the community; essentially producing a new artform. <br /><br />The creation of <em>Shapono</em> was made possible in part by socially-engaged artist, Laura Anderson Barbata, who initiated the paper and bookmaking project with the Yanomami in 1992. Her engagement with the community has brought resources and recognition to the community. In 2000 <em>Shapono</em> received the Best Book of the Year award from the Centro Nacional del Libro of Venezuela. In 2002 the project received the Charles A and Anne Morrow Lindbergh Foundation grant which enabled the project to establish a studio and purchase a Hollander beater for papermaking. It also helped to inspire Caracas-based Instituto de Estudios Avanzados (IDEA), led by Professor Alvaro Gonzalez Bastidas, to collaborate with the community to construct the Shapono School in Alto Orinoco. The mission of the Shapono School is to preserve and promote parts of Yanomami culture related to craft tradition, as well as Yanomami knowledge related to plants and medicine. The school will include a papermaker's garden along with workshops in paper, print, and bookmaking.<br /><br /><em>Among Tender Roots</em>, curated by Melissa Hilliard Potter, was the first retrospective of Laura Anderson Barbata’s work, and it featured <em>Shapono</em> in the United States for the first time. <em>Shapono</em> is included in various collections, among them Centro de Estudios IDEA, Caracas; The Cotsen Library Collection of Princeton University; the Gimbel Library at Parsons School of Design, New York; the Latin American Book Collection, The Library of Congress, Washington D.C.; and the Spencer Collection at the New York Public Library among others.<br /><br /><br /><p>Bibliography:</p>
<p><em>Among Tender Roots</em>. Laura Anderson Barbata, Melissa Potter, Patrick Dowdey, Kathi Beste. Columbia College Chicago Center for Book & Paper Arts. 2010. Print.</p>
<p><em>Social Paper</em>: <em>Hand Papermaking in the Context of Socially Engaged Art</em>. Jessica Cochran, Melissa Potter. Columbia College Chicago Center for Book & Paper Arts. 2015. Print. </p>
Creator
An entity primarily responsible for making the resource
Goettling, Willa
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em>, College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago, with permission of Laura Anderson Barbata.
Date
A point or period of time associated with an event in the lifecycle of the resource
1996 - 2003
Rights
Information about rights held in and over the resource
All rights remain with the author.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yanomami Children Block Printing
Subject
The topic of the resource
Sheroanawë Hakihiiwë
Description
An account of the resource
Javier demonstrating and teaching block printing to his Yanomami Owë Mamotima classmates, Shakita, Amazonas, Venezuela,
Creator
An entity primarily responsible for making the resource
Elam, Lynn & Goettling, Willa
Source
A related resource from which the described resource is derived
College Archives & Special Collections Columbia College Chicago
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Laura Anderson Barbata
Date
A point or period of time associated with an event in the lifecycle of the resource
1996
Rights
Information about rights held in and over the resource
All rights remain with the author
Type
The nature or genre of the resource
Still image
-
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521048e7f263fe19d501ecf3b3bbf0d5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Shapono</em>, Title Page
Subject
The topic of the resource
Sheroanawë Hakihiiwë
Description
An account of the resource
Title page of <em>Shapono,</em> using woodblock printing as part of handmade paper process.
Creator
An entity primarily responsible for making the resource
Elam, Lynn & Goettling, Willa
Source
A related resource from which the described resource is derived
Among Tender Roots College Archives & Special Collections Columbia College Chicago
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Laura Anderson Barbata
Date
A point or period of time associated with an event in the lifecycle of the resource
1996-2003
Rights
Information about rights held in and over the resource
All rights remain with the author
Type
The nature or genre of the resource
Still image
-
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76bfcac287f4612ff900c25ae1be2760
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Shapono</em>
Subject
The topic of the resource
The first book made by Yanomami community.
Description
An account of the resource
<em>Shapono</em>, meaning “communal house,” is a book made by the Yanomami Owë Mamotima community of Mahekoto-Platanal, Amazonas, Venezuela. It is the culture’s first written record and was made collaboratively by elders, youth, and scholars in a limited edition of fifty. It documents a Yanomami creation myth, traditionally told orally, about how the first communal house came to be. The book was started in 1996 and was completed in 2003.<br /><br />Illustrations within the book came from relief prints made by children of the community. The use of relief printing in this way was somewhat unusual, as carved block printing had long been part of Yanomami culture but had previously only been used for ceremonial and decorative body stamping before 1996. The book’s paper was handmade by the community using fibers from the region’s forests. This merge of hand papermaking with relief printing combined two technologies that were previously thought disparate by the community; essentially producing a new artform. <br /><br />The creation of <em>Shapono</em> was made possible in part by socially-engaged artist, Laura Anderson Barbata, who initiated the paper and bookmaking project with the Yanomami in 1992. Her engagement with the community has brought resources and recognition to the community. In 2000 <em>Shapono</em> received the Best Book of the Year award from the Centro Nacional del Libro of Venezuela. In 2002 the project received the Charles A and Anne Morrow Lindbergh Foundation grant which enabled the project to establish a studio and purchase a Hollander beater for papermaking. It also helped to inspire Caracas-based Instituto de Estudios Avanzados (IDEA), led by Professor Alvaro Gonzalez Bastidas, to collaborate with the community to construct the Shapono School in Alto Orinoco. The mission of the Shapono School is to preserve and promote parts of Yanomami culture related to craft tradition, as well as Yanomami knowledge related to plants and medicine. The school will include a papermaker's garden along with workshops in paper, print, and bookmaking.<br /><br /><em>Among Tender Roots</em>, curated by Melissa Hilliard Potter, was the first retrospective of Laura Anderson Barbata’s work, and it featured <em>Shapono</em> in the United States for the first time. <em>Shapono</em> is included in various collections, among them Centro de Estudios IDEA, Caracas; The Cotsen Library Collection of Princeton University; the Gimbel Library at Parsons School of Design, New York; the Latin American Book Collection, The Library of Congress, Washington D.C.; and the Spencer Collection at the New York Public Library among others.<br /><br /><br /><p>Bibliography:</p>
<p><em>Among Tender Roots</em>. Laura Anderson Barbata, Melissa Potter, Patrick Dowdey, Kathi Beste. Columbia College Chicago Center for Book & Paper Arts. 2010. Print.</p>
<p><em>Social Paper</em>: <em>Hand Papermaking in the Context of Socially Engaged Art</em>. Jessica Cochran, Melissa Potter. Columbia College Chicago Center for Book & Paper Arts. 2015. Print. </p>
Creator
An entity primarily responsible for making the resource
Goettling, Willa
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em>, College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago, with permission of Laura Anderson Barbata.
Date
A point or period of time associated with an event in the lifecycle of the resource
1996 - 2003
Rights
Information about rights held in and over the resource
All rights remain with the author.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Shapono</em> Book Cover
Subject
The topic of the resource
Sheroanawë Hakihiiwë
Description
An account of the resource
First book made by the Yanomami Owë Mamotima community of Mahekoto-Platanal, Amazonas, Venezuela. Shown as part of <em>Among Tender Roots</em> Exhibition, a retrospective for the work of Laura Anderson Barbata.
Type
The nature or genre of the resource
still image
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Laura Anderson Barbata
Date
A point or period of time associated with an event in the lifecycle of the resource
1996-2003
Creator
An entity primarily responsible for making the resource
Elam, Lynn & Goettling, Willa
Source
A related resource from which the described resource is derived
<em>Among Tender Roots</em>, College Archives & Special & Collections Columbia College, Chicago
Rights
Information about rights held in and over the resource
All rights remain with the author
Format
The file format, physical medium, or dimensions of the resource
Still image
-
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da6c68cab283b8d60a81105f9fb8c5c5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Animal Imagery in Yanomami Art
Subject
The topic of the resource
"Tiger at Night Looking Through the Trees" Pulp Painting
Description
An account of the resource
This collection of images explores the production of "Tiger at Night Looking Through the Trees". a limited edition piece was created when Sheroanawë Hakihiiwë visited Columbia College’s Center for Book, Paper, and Print in 2012. The designs were created through a hand papermaking technique known as “pulp painting”.
Source
A related resource from which the described resource is derived
Items from the College Archives & Special Collections of Columbia College Chicago & The Center for Book, Paper and Print.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago
Rights
Information about rights held in and over the resource
Select Image Rights granted by John Boehm and Melissa Hillard Potter
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Process documentation of Jing Wang creating <em>Tiger at Night Looking Through the Trees</em>
Subject
The topic of the resource
Jing Wang
Hand papermaking process
Description
An account of the resource
Jing Wang, MFA 2014, pulp painting a laminated base sheet.
Creator
An entity primarily responsible for making the resource
Hillard Potter, Melissa
Source
A related resource from which the described resource is derived
“Animal Imagery in Yanomami Art", College Archives & Special Collections, Columbia College Chicago.
Publisher
An entity responsible for making the resource available
College Archives & Special Collections, Columbia College Chicago with permission of Melissa Hillard Potter
Date
A point or period of time associated with an event in the lifecycle of the resource
October 28, 2012
Rights
Information about rights held in and over the resource
All rights remain with the author.
Type
The nature or genre of the resource
Still image
Abstract
Collaboration
Columbia College Chicago
Handmade Papermaking
Jing Wang
Pulp Paining
Sheroanawë Hakihiiwë
The Center for Book Paper and Print
Tiger
Yanomami People