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Photographic Documentation of Tiger at Night Looking Through the Trees
22” x 30”, edition size: 35 (edition variable), 2012. Pulp and plant fiber painting on handmade paper base sheet.
Papermaking Studio, Center for Book, Paper, and Print, Chicago, IL
Collaborative Pulp Print
Papermaking Studio, Center for Book, Paper, and Print, Chicago, IL
Collaborative Pulp Print
Process documentation of Sheroanawë Hakihiiwë creating Tiger at Night Looking Through the Trees
Sheroanawë Hakihiiwë examines a freshly completed piece from the edition of Tiger at Night Looking Through the Trees.
Process documentation of Melissa Hillard Potter creating Tiger at Night Looking Through the Trees
Melissa Hillard Potter adjusting the laminated strings on the freshly-pressed sheet of paper.
Process documentation of Krista Franklin creating Tiger at Night Looking Through the Trees
Krista Franklin, MFA 2014, places a string dipped in pigmented flax for pulp painting laminated on the base sheet.
Process documentation of Jing Wang creating Tiger at Night Looking Through the Trees
Jing Wang, MFA 2014, pulp painting a laminated base sheet.
Shapono Book Cover
First book made by the Yanomami Owë Mamotima community of Mahekoto-Platanal, Amazonas, Venezuela. Shown as part of Among Tender Roots Exhibition, a retrospective for the work of Laura Anderson Barbata.
Shapono, Title Page
Title page of Shapono, using woodblock printing as part of handmade paper process.
Yanomami Children Block Printing
Javier demonstrating and teaching block printing to his Yanomami Owë Mamotima classmates, Shakita, Amazonas, Venezuela,
Porfirio and the Hollander Beater
Image that appeared in Among Tender Roots catalog: Porfirio next to the refurbished Hollander beater, Mahekoto-Platanal, Amazonas, Venezuela,
Shapono Block Print Demonstration
Javier demonstrating and teaching block printing to his Yanomami Owë Mamotima classmates, Shakita, Amazonas, Venezuela, 1996. Photograph that appeared in Among Tender Roots catalog.